Forum Series No. 2, Nanjing-Birmingham-Yilin Shakespeare Centre, China
Workshop on Shakespeare and the Spatial Paradigm
9-10 June 2018
IAS, Gulou Campus, Nanjing University
Saturday, 9 June
9:00-9:10 Opening Remarks: WANG Shouren, Michael Dobson, Yuan Nan
9:10-9:40 Prelude: The Spatial Turn in Shakespeare Studies
Michael DOBSON and CONG Cong: A Brief Introduction
9:40-10:10 Invited Talk: Shakespeare and the Geography of Difference
HAO Tianhu: The Geography of Difference in Pericles and Foure Prentises of London (30 minutes including Q & A)
10:10-10:30 Photo Taking and Tea Break
10:30-12:50 Session I: Structural/Topological Space
Stage Space/Setting/Locality
Linguistic/Poetic Space
1. Tiffany STERN: The Geographies of Shakespeare’s Stage and Page (30 minutes)
2. ZHU Xuefeng: The Theatrical Topology of Tyranny in Richard III (Base on Christina Wald’s Paper) (20)
3. LIU Yang: Shakespeare’s Enclaves (Based on Andreas Mahler’s paper) (20)
4. ZHU Wenzhi: Thickets and Beaches: Evoking Place in the Stories of King Lear (Based on Werner Bronnimann’s paper) (20)
5. Chris LAOUTARIS: Shakespeare among the Rebels: The Playwright, the Countess and the Battle for London’s Blackfriars (30)
6. CHEN Xing: The Lady Shall Say Her Mind Freely: Shakespeare and the S/Pace of Blank Verse (Based on margaret Tudeau-Clayton’s paper) (20)
12:50-1:50 Lunch
2:00-3:00 Session II: Early Modern Geographies
Geopolitical Space
Social/Gendered Space
1. Michael DOBSON: Sending Shakespeare to Coventry: Space, Time and the Places of English History (30)
2. CONG Cong: Hybrid Spaces in Antony and Cleopatra (Based on Elisabeth Bronfen’s paper, translated by ZHOU Jin) (20)
3. ZHAO Xiaoyi: The Sea in Pericles (Based on Bernhard Klein’s paper) (20)
3:00-3:30 Coffee Break
3:30-5:30 Q & A and General Discussion
Sunday, June 10
9:00-10:30 Session III: Cultural Spaces/Contact Zones
The Material World/Cultural Imaginary
1. SONG Zhenghao: Universals in the Bush: The Case of Hamlet (Based on Dominique Brancher’s Paper) (20)
2. FAN Hao: The German Hamlet: Ghostly Encounters in the Space of the Stage and the Novel (Based on Alexander Honold’s paper) (20)
3. DAN Hansong: “One Cannot Act Hamlet, One Must Be Hamlet”: The Acculturation of Hamlet in Russia (Based on Thomas Grob’s paper) (20)
4. CONG Cong: Hamlet’s Mobility: The Reception of Shakespeare’s Tragedy in US American and Canadian Narrative Fiction (Based on Gabriele Rippl’s paper, translated by CHEN Dawei)
5. CONG Cong: Local Habitations: Hamlet at Helsingor, Juliet at Verona (Based on Balz Engler’s paper)
10:30-11:40 Q & A and General Discussion
11:40-12:00 Epilogue: Wrapping up and Moving forward
12:30 Lunch