Ibsen Medal (March 2002)
New-century Talent, Chinese Ministry of Education (2005)
Henrik Ibsen and Modern Chinese Drama, Oslo Academic Press, Norway, 2004, 320p
The Scandinavian Literary Canon: Ibsen, Strindberg and Hamsun, Peking University Press, 2009 (Forthcoming)
ed. Ibsen and Modern Chinese. University of Turin, Italy, 2007
ed. Representation of the Other: Theory and Practice, University of Goettingen Press, 2009
ed. Discourse of Humanities in Contextualization, Peking University Press, 2008.
ESSAYS (published in English in international journals and books)
Chengzhou He, "Women and the Search for Modernity: Rethinking Modern Chinese Drama," MLQ: Modern Language Quarterly 69:1, Washington, March 2008
Chengzhou He, “Ibsen’s Men in Trouble, Masculinity and Norwegian Modernity”, Ibsen Studies (Routledge), Vol. 8, No. 2, 2008
Chengzhou He, "Woman and Decadence: Hedda Gabler Revisited, North-West Passage 3 (Turin), 2007
Chengzhou He, “Ibsen’s Satire of Imperialism in Peer Gynt,” The Living Ibsen, Oslo, 2007
Xuelian Chen & Chengzhou He, "Deserted Man: Fall of Masculinity in A Doll's House, North-West Passage 4 (Turin), 2007
Chengzhou He, “Ibsen and Chinese Noras” (Review), Ibsen Studies (Routeledge), Vol.VI, No.l, pp. 90-95, 2006.
Chengzhou He, “Noraismus”, Kulturaustausch （Berlin）， No. 11， p. 37, 2006,
Chengzhou He, “Peer Gynt, Ah Q and the Loss of Self,” Ibsen on the Cusp of the 21st Century, (Alvheim & Eide), Eds. Pal Bjorby, Alvhild Dvergsdal & Idar Stegane, pp. 91-98, 2005.
Chengzhou He, “The Troubled Sexuality of Hedda: Foucault and Ibsen”, North-West Passage, No.2, pp. 37-46, 2005.
Chengzhou He,“Chinese Noraism: How Far Can Nora go?” In Henrik Ibsen’s Oeuvre in the Perspective of Its Reception History, Oslo Academic Press, pp. 59-71, 2004.
Chengzhou He,“Cao Yu, Ibsen and the Chinese Tradition of Poetic Imagery.” In Henrik Ibsen’s Oeuvre in the Perspective of Its Reception History, Oslo Academic Press, pp. 72-90, 2004.
Chengzhou He, “Ibsen and Chinese ‘Problem Play’”, Ibsen Studies (Routledge), Vol. III, No. 1, pp. 54-70, 2003.
Chengzhou He, "Hedda and Bailu: Portraits of Two 'Bored' Women", Comparative Drama (Michigan), Vol. 35, Nos. 3& 4, pp. 447-463, USA.（A&HCI）
Chengzhou He, "Chinese Translations of Henrik Ibsen". Perspectives: A Study of Translatology (Multilingual Matters, England), Vol. 9. No. 3, pp. 197-214), 2001. （A&HCI, MLA International Bibliography）
Chengzhou He, "Thematic Imagery in The Master Builder". In Proceedings for IX International Ibsen Conference (Alvheim & Eide), Eds. Pal Bjorby and Asbjorn Aarseth, pp. 483-500, 2001.